{"title":"Manga \u0026 Comic (hero)","description":"","products":[{"product_id":"deleter-manga-manuscript-paper-b4","title":"Deleter B4 Manga Manuscript Paper","description":"\u003cp\u003e\u003cstrong\u003eThe production paper for manga — what non-photo blue means in practice\u003c\/strong\u003e\u003cbr\u003eDeleter manuscript paper is made for manga production. The non-photo blue guidelines — panel borders, safe area borders, and crop marks — are printed in a specific pale blue that most photographic scanners exclude when operating in greyscale mode. This means the artist can ink directly over the blue guidelines with confidence: the pencil panel layout, the blue guidelines, and the inked linework all coexist on the page during production, but when the finished page is scanned correctly only the black ink appears in the output. This is not a trick or a filter applied after the fact — it is a property of how standard photographic sensors interpret colour wavelengths, and it is the production method used by professional manga artists in Japan. The 110gsm paper weight is chosen specifically to accept dip pen inks cleanly without feathering while remaining light enough to handle conveniently in a stack of forty pages.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eType A versus Type B\u003c\/strong\u003eType A has the standard production set of guidelines: outer border, safe area border, and crop marks. This is the professional production format — everything that a scan needs to be correctly trimmed and laid out, nothing extraneous. Type B adds further helper lines to assist with panel layout — horizontal guides at regular intervals that help maintain consistent gutter widths and panel heights without measuring. For an experienced manga artist, Type A is the correct choice. For beginners who are still developing a reliable sense of panel proportion and gutter consistency, Type B's additional structure provides useful scaffolding.\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Type A —Standard panel guidelines. The production standard.","offer_id":53231826141512,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false},{"title":"Type B - Additional layout helper lines. Better for beginners.","offer_id":53231826174280,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0709\/2808\/files\/DeleterB4MangaManuscriptPaper.jpg?v=1772808650"},{"product_id":"3-oysters-black-moss-shading-ink-uk","title":"3 Oysters Black Moss — Dark Green Shading Illustration Ink","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eA black that isn't quite black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBlack Moss reads as a very dark green-black when laid down — on first sight you might mistake it for a standard black. Look more carefully as it dries. The pooled areas in curves and stroke endings reveal a deep green undertone. The lighter parts of a stroke show a warmer, slightly olive tone. The result is a black that has depth without announcing itself as a colour.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFor illustrators who work in linework — particularly those who want their black ink to feel atmospheric rather than graphic — Black Moss is one of the most useful inks in the range. It pairs naturally with the warmer earth-tone inks in the Colour \u0026amp; Drawing section for illustration work that wants tonal range without obvious colour.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eAbout 3 Oysters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e3 Oysters is based in Seoul, South Korea. The brand name comes from the idea of the three tools of writing: pen, ink, and paper — three things that seem ordinary until you understand what they do together. Their Delicious Series inks take their names from Korean food and fashion, and each arrives in a 38ml heavy glass bottle with a distinctive faceted edge designed so the bottle leans at an angle to capture the last drops. We stock eleven colours from their range, chosen specifically for illustration use.\u003c\/p\u003e","brand":"Inkwell Art Supplies","offers":[{"title":"Default Title","offer_id":53225645670728,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"3-oyster-cool-gray-illustration-ink","title":"3 Oysters Delicious Series Cool Gray — Illustration Ink","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eWhat a grey ink does that no other colour can\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eBlack and white define the extremes. Everything between them is where illustration lives. Cool Gray occupies the exact centre of that range without pulling toward any colour family. For cross-hatching, for shadow gradients, for tonal manga panels that require grey without screentone, there is no substitute for a well-made neutral grey. Cool Gray is that ink — flat, consistent, and exactly as neutral as it claims to be.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eUsing Cool Gray for manga tonal work\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eScreentone is the traditional analogue approach to grey in manga production. For scanned work going to digital output, grey ink is a direct alternative — apply with a dip pen or brush, scan, and the grey reads correctly in greyscale output. Cool Gray has enough pigment density to read as a distinct mid-tone rather than a faded black.\u003c\/p\u003e","brand":"3 Oysters","offers":[{"title":"Default Title","offer_id":53226440622408,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"kakimori-sumi-black-waterproof-illustration-ink","title":"Kakimori Sumi Black — Waterproof Illustration Ink 38ml","description":"\u003cp\u003e\u003cstrong\u003eThe problem Kakimori Sumi Black solves\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMost black inks fall into two categories: dye-based inks that are safe in fountain pens but not waterproof, and carbon or pigment inks that are waterproof but clog fountain pen feeds. Kakimori Sumi Black occupies a rare third position — a fine-ground pigment ink formulated to pass through fountain pen feeds without clogging, while remaining fully waterproof once dry. For illustrators who work in fountain pen line then add watercolour or ink wash, this is the correct tool.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSumi Black vs De Atramentis Document Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBoth are waterproof blacks for illustration use but they serve different contexts. De Atramentis Document Black is a waterproof dye-based ink — excellent for dip pens and available at lower cost. Kakimori Sumi Black is a true pigment ink — denser, more archival, and fountain pen safe. Use Document Black for dip pen work and budget-conscious illustration. Use Kakimori Sumi Black when the work will be in a fountain pen, requires maximum archival quality, or will be reproduced professionally.\u003cbr\u003e\u003c\/p\u003e","brand":"Kakimori","offers":[{"title":"Default Title","offer_id":53230208057672,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"de-atramentis-document-black-waterproof-ink","title":"De Atramentis Document Black — Waterproof Ink 35ml","description":"\u003cp\u003e\u003cstrong\u003eThe standard illustration and zine black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFor dip pen illustration and zine production, Document Black is the primary recommendation. It covers cleanly in a single pass, dries waterproof, and photocopies and scans without ghosting or bleed. For analogue zine work — dip pen on Bristol board, photocopy to reproduce — it is the correct tool. For pen and wash illustration — dip pen line then watercolour wash over the top — it is one of very few inks that reliably holds up under wet media.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDocument Black vs standard black inks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStandard dye-based black inks — Diamine Graphite, Pilot Iroshizuku Tsuki-yo used as a near-black — are not waterproof. Apply wash over them and the lines will run. Document Black is formulated specifically to be waterproof once dry. The tradeoff is higher maintenance in fountain pens — flush regularly to prevent the waterproofing agent building in feeds.\u003c\/p\u003e","brand":"De Atramentis","offers":[{"title":"Default Title","offer_id":53230690042184,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-61-01-regular-dot","title":"Deleter Screentone 61-01 Regular Dot","description":"\u003cp\u003e\u003cstrong\u003eWhat screentone is and how the 61-01 fits into analogue manga production\u003c\/strong\u003eScreentone is the adhesive halftone film used in traditional analogue manga production to add tones, textures, and gradients to inked pages without using solid black or hand-drawn hatching. The grey areas, shadow fills, skin tones, and background textures seen in printed manga are applied with screentone sheets: the artist cuts the sheet to the shape of the area to be toned, carefully lifts the cut piece, positions it over the artwork, and burnishes firmly to adhere it. The 61-01 pattern is the production standard regular dot — a mid-density, even halftone dot that works correctly at the reduction ratios used in standard manga printing. It is the first screentone pattern an analogue manga artist needs, the most versatile, and the pattern that defines the visual character of traditional manga toning.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eApplication — the technique in practice\u003c\/strong\u003e\u003cbr\u003eScreentone application requires two tools: a craft knife for cutting and a burnisher (or smooth pen body) for adhering. Place the screentone over the area to be toned with the backing still on. Use a lightbox or hold the page to a window to see the artwork through the semi-transparent film. Mark the cutting line lightly, then cut along the edge of the area to be toned. Lift the cut piece carefully — the adhesive side faces down. Position over the artwork, press gently to tack in place, check alignment, then burnish firmly from the centre outward to fully adhere. The adhesive is repositionable briefly before full pressure is applied; once burnished it bonds permanently.\u003cbr\u003e\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53231833874760,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-61-08","title":"Deleter Screentone 61-08 Fine Dot","description":"\u003cp\u003e\u003cstrong\u003eLighter tones through finer dots — building tonal range across a page\u003c\/strong\u003e\u003cbr\u003eEffective manga toning is not about applying a single screentone density universally — it is about using different densities to create a tonal range that reads as three-dimensional and visually varied across a page. The 61-01 regular dot is the mid-density workhorse; the 61-08 fine dot is the lighter companion. Applied to skin tones, the 61-08 produces a pale, delicate grey that reads as light-catching skin without the visual weight of the regular dot. Applied to shadow areas at the light edge — where the shadow transitions from its darkest to where it meets the lit area — the 61-08 produces a subtle, gradated effect that the 61-01 dot would render too abruptly. Using the 61-08 and 61-01 together, sometimes with the gradient 52-series patterns, gives the palette of tonal options needed for varied, professional-looking manga pages.\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53231844884808,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-61-14","title":"Deleter Screentone 61-14 Sand Texture","description":"\u003cp\u003e\u003cstrong\u003eTexture patterns versus dot patterns — different visual purposes\u003c\/strong\u003e\u003cbr\u003eDot screentones (61-01, 61-08) create tonal values — they read as grey at a distance and convey light and shadow. Texture screentones like the 61-14 sand grain serve a different purpose: they convey material surface. A sand or grain texture on a background area does not just say 'this is grey' — it says 'this surface has texture, this material has grain'. Applied to a ground plane, it suggests a rough exterior surface. Applied to a sky area, it can create a slightly hazy, atmospheric quality different from the regular dot. Applied to fabric or clothing, it can suggest texture without the mechanical regularity of a dot pattern. Using texture patterns alongside dot patterns creates visual variety across a page and allows the artist to distinguish between different material surfaces without resorting to complex hand-drawn texture.\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53231855272264,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-52-01","title":"Deleter Screentone 52-01 Gradient Light","description":"\u003cp\u003e\u003cstrong\u003eGradient toning — what it does and how to use it\u003c\/strong\u003e\u003cbr\u003eA uniform dot screentone fills an area with a consistent tone. A gradient screentone fills an area with a tone that changes — from visible and dense at one edge to transparent at the other. This transition is one of the most distinctive visual elements of professional manga: the sky that fades from dark at the top to white at the horizon, the emotional close-up where the background dissolves from a full tone into pure white, the action panel where the background recedes into atmosphere. The 52-01 is the lighter of the two gradient patterns in the range — it begins with a relatively light dot and fades to transparency. This makes it suitable for subtle atmospheric effects, gentle sky gradations, and skin tone transitions where a more dramatic gradient would be too heavy.\u003cbr\u003e\u003cstrong\u003eOrientation matters — planning the cut\u003c\/strong\u003e\u003cbr\u003eThe gradient on the 52-01 sheet runs across the long dimension of the A4 sheet. When cutting a piece for a panel, the orientation of the cut determines the direction of the gradient in the panel. For a sky that is darkest at the top and fades to white at the horizon, the dense-dot end of the gradient should face upward in the panel. For a background that fades to white behind a character, the transparent end should face the character. Plan the cut before removing the backing — the gradient direction cannot be adjusted after burnishing.\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53231864971592,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-52-10-gradient-dark","title":"Deleter Screentone 52-10 Gradient Dark","description":"\u003cp\u003e\u003cstrong\u003eDramatic tonal transitions — where the 52-10 belongs\u003c\/strong\u003e\u003cbr\u003eThe 52-10 is the heavy version of the gradient screentone range. Where the 52-01 starts with a light dot and fades gently, the 52-10 starts dense and creates a dramatic transition that commands attention. The typical applications are the scenes that carry emotional or dramatic weight: an action panel where the background darkens sharply behind a decisive moment, a character close-up where the background tone rises from white to a heavy grey that focuses the reader's attention, a sky in a night or storm scene where the darkness at the upper edge is pronounced and intentional. Using the 52-10 in panels that require drama and the 52-01 in panels that require atmosphere creates a tonal vocabulary that can guide the reader's emotional response across a page sequence.\u003cbr\u003e\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53231871656264,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-speed-lines","title":"Deleter Screentone — Speed Lines","description":"\u003cp\u003e\u003cstrong\u003eSpeed lines — conveying motion in a static medium\u003c\/strong\u003e\u003cbr\u003eSpeed lines are among the most immediately recognisable visual conventions of manga — radiating lines that fill a panel to convey the sensation of motion, impact, or dramatic emphasis. Drawing speed lines by hand requires careful measuring from a central point and consistent line spacing across the panel, which is both time-consuming and difficult to achieve consistently. Deleter's speed line screentone provides pre-printed speed lines with a marked centre point that allows the artist to position the convergence at exactly the intended location in the panel, cut to shape, and adhere — producing the clean, precise speed line effect that would take significantly longer to achieve by hand. The screentone version produces a different quality from hand-drawn speed lines: more mechanical and precise, which reads as particularly effective for technological or high-speed subjects, whereas hand-drawn speed lines have more organic expressiveness.\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53233955963208,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-cross-hatching","title":"Deleter Screentone — Cross-Hatching","description":"\u003cp\u003e\u003cstrong\u003eCross-hatching screentone versus hand-drawn — when to use each\u003c\/strong\u003e\u003cbr\u003eCross-hatching is a shading technique that creates tone through a grid of intersecting lines. Hand-drawn cross-hatching produces organic variation in line spacing and pressure that has an expressive, human quality — the lines are never perfectly regular and this is part of their character. Screentone cross-hatching produces a perfectly regular, mechanical grid — every line equally spaced, every crossing equally weighted. These are not superior and inferior versions of the same thing; they are different tools for different effects. Hand-drawn cross-hatching is appropriate for expressive, gestural illustration where the mark-making is part of the visual character. Screentone cross-hatching is appropriate for areas where mechanical uniformity is the desired quality — technical objects, architectural surfaces, or any area where regularity signals precision and control. Using screentone cross-hatching selectively, alongside hand-drawn marks elsewhere in the panel, can create contrast between the human and the mechanical within the same composition.\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53233962942792,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"deleter-screentone-brickwork","title":"Deleter Screentone — Brickwork","description":"\u003cp\u003e\u003cstrong\u003eArchitectural detail without the time investment of hand-drawing\u003c\/strong\u003e\u003cbr\u003eDrawing consistent, proportioned brickwork by hand requires careful measurement, a steady hand, and a significant time investment. Each course of bricks must be aligned, each brick proportioned correctly, and the mortar joints made consistent — the more of the panel the brickwork covers, the more time the process takes. Deleter's brickwork screentone provides a pre-printed regular brick pattern that can be cut to cover a background area and adhered in a fraction of the time. The resulting brickwork has the mechanical regularity of real brick construction and reads clearly as brickwork even after printing reduction. The correct application is for urban environments, period settings, interior backgrounds with exposed brick, and any scene where a brick surface needs to be clearly identifiable without becoming the dominant visual element of the panel.\u003c\/p\u003e","brand":"Deleter","offers":[{"title":"Default Title","offer_id":53233987944776,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}]}],"url":"https:\/\/inkwellartsupplies.com\/collections\/manga-comic-hero.oembed","provider":"Inkwell Art Supplies","version":"1.0","type":"link"}