The accessible Japanese benchmark
Iroshizuku occupies an iconic position in the stationery community: accessible and reliable enough for daily notes, yet visually rich enough for fine calligraphy and art journaling. The dye-based formula is heavily lubricated to ensure your nib glides across the page without hard-starts or skipping, drying quickly compared to other saturated inks. Every tone is an explicit color argument inspired by changing seasons and landscapes—*Tsuki-yo* captures the deep blue-green of a moonlit night, while *Kiri-same* reflects a soft autumn rain. The heavy, hand-blown 50ml glass inkwell features a deep, V-shaped interior well to ensure smooth, mess-free filling down to the last drop.
Colour taken from Japanese nature
Iroshizuku joins two Japanese words: iro, colour, and shizuku, a droplet. Since Pilot launched the range in 2007, every colour has been named after something in the Japanese landscape or seasons — moonlit nights, autumn showers, deep sea, a lantern glowing in the dark. They are dye inks with a smooth, well-lubricated flow, and they have become the benchmark many fountain pen users judge other inks by.
Honest Note:
Who is it For?
FREQUENTLY ASKED QUSTIONS (FAQ)
Which colour should I start with?
Tsuki-yo (blue-green) is the most loved; Shin-kai is a classic blue-black for work; Syun-gyo is the one to try if you want a black with personality.
50ml or 15ml?
15ml to try a colour or carry a travel bottle; 50ml for a colour you already love — it costs less per ml and has the deep filling recess.
Is it suitable for illustration?
For linework that will not be painted over, yes. Under washes, use a waterproof pigment ink.