The ink behind Japanese animation
When Hayao Miyazaki's studio needed colours that held their character across hundreds of animation cels, they reached for Nicker. The poster colour range has been a production standard in Japanese animation since the mid-twentieth century — not because it was the only option, but because nothing else behaved as consistently across the range of applications professional production demands.
A curated range, not a complete one
The full Nicker range runs to 77 colours. We stock 12 — the colours that a professional illustration palette actually requires. This isn't a compromise; it's a decision. Cobalt Blue, Cerulean Blue, Prussian Blue, Carmine, Lemon Yellow, Chrome Yellow, Scarlet Lake, Burnt Sienna, Chrome Green, Orange, French Gray, and Black. The colours professional animators reach for most, chosen because they mix predictably and cover completely.
Honest Note:
Who is it For?
FREQUENTLY ASKED QUSTIONS (FAQ)
What is Nicker Poster Colour used for?
Nicker Poster Colour is an opaque water-based ink used for illustration and animation production — applied with a brush for character colour work, background painting, and mixed media layering over inked linework.
How is Nicker different from regular gouache?
The formulation is optimised for consistency across large production runs — the pigment load and binder ratio produce a more consistent opacity between batches than most gouache ranges. It was designed for studio production, not fine art painting.
Which colours should I start with?
For an illustration working palette, start with White, Black, Cobalt Blue, Carmine, and Lemon Yellow. These five mix to cover the full colour range needed for character illustration and give you a direct understanding of how the colours behave before expanding.