The accessible Japanese benchmark
Iroshizuku occupies an iconic position in the stationery community: accessible and reliable enough for daily notes, yet visually rich enough for fine calligraphy and art journaling. The dye-based formula is heavily lubricated to ensure your nib glides across the page without hard-starts or skipping, drying quickly compared to other saturated inks. Every tone is an explicit color argument inspired by changing seasons and landscapes—*Tsuki-yo* captures the deep blue-green of a moonlit night, while *Kiri-same* reflects a soft autumn rain. The heavy, hand-blown 50ml glass inkwell features a deep, V-shaped interior well to ensure smooth, mess-free filling down to the last drop.
Honest Note:
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FREQUENTLY ASKED QUSTIONS (FAQ)
Is Iroshizuku safe in vintage fountain pens?
Yes — Iroshizuku is one of the safest inks available for vintage pens. The formulation is mild, well-lubricated, and has no properties that would harm vintage rubber, celluloid, or acrylic materials.
Which Iroshizuku colour should I start with?
Tsuki-yo (moonlit night — a deep blue-green) is the most discussed starting point. Shin-ryoku (deep green) is the best green in the range. If you want a reliable workhorse blue, Ama-iro (sky blue) is calm and consistently attractive.
Are Iroshizuku inks suitable for illustration?
For fountain pen illustration where waterproofing is not required — yes. They are not waterproof, so do not use them under wash. For illustration requiring permanence, use Kakimori or De Atramentis Document inks instead.